Harv sees Lani in the fog, her dancer's gait carrying her across the grassy slope toward
She is close enough now to touch, the rounded white headstones framing her long brown
hair and navy-blue eyes.
Those eyes scald him with accusation: he never said good-bye. His last words were, in
fact, ugly, slashing at her like sabers to make her run away from the danger.
"They were lies!" he shouts, and her eyes are ink running on wet paper.
He reaches out to pull her to him and stroke her hair, her cheek, but the fog swirls her
away and he is alone.
The mascara I didn't wash off before I went to bed has glued my eyelashes together. It
takes a minute to get my eyes open.
I have been rolling around all night and now I am tangled in my waist-length brown hair.
Dawn peeks in orange strips around the venetian blinds.
I close my eyes again and wander into a dream I'd had when the war was a dragon
devouring villages, rice paddies, American soldiers. A flame-edged dream of hurling
body parts. A leg hits me in the chest and I tumble onto a muddy path under a high canopy
of tropical green. I open my mouth to scream but I see a soldier in olive drab walking ahead
of me, black and big enough to fill the path and cast a shadow in the shadow-glutted jungle,
his mud-caked boots squelching in mold-ringed muck.
"Hey!" I shout, getting up and running after him.
He doesn't answer.
We trudge on in green half-light.
The jungle is an oven, steaming air blistering my throat with each breath. Sweat runs in
rivers down my forehead, my back, my legs. Dark damp splotches spread across my fatigues
and that godforsaken mud sucks at my boots.
Sure could use a cigarette.
"Harv!" I call to the soldier.
But he isn't Harv. Harv isn't black.
"You got a smoke?"
He turns, a grin flashing across his face. "Yeah, man."
He reaches into his shirt pocket and pulls out a cigarette pack. His feet never stop moving.
His arm stretches back to me and just as my fingertips touch the pack, Fourth of July
fireworks blast through the trees.
The hand offering the cigarettes shoots straight up in the air.
His leg flies backward and knocks me into the mud, and pain like a thousand knives stabs
my chest, my belly, my legs.
This time I scream, and my scream wakes me up. Ash settles to the jungle floor and
dissolves in the mud, and the two-room house in Monterey that was my home twelve years
ago, in the fall of 1967, grows up around me. The light flooding through the gaudy paintings
on our windows---a sunk-eyed guy with waves of turquoise hair and a swirling purple beard,
and a woman with yellow cat eyes and a star-spangled face---spatters the walls with
A story of first love set in San Francisco in
the late 60's against a backdrop of flower
children, racial prejudice, and the
2018 Finalist DRUNKEN DRUID BOOK AWARDS
FOR A FREE PDF COPY OF THIS BOOK, please
email a request to firstname.lastname@example.org
2018 GOLD WINNER Human Relations Indie Book Awards
REVIEWS & COMMENTS
"Having also grown up during the late 60's - this book
brought me right back to the feelings and issues of
the times. It was clear the author also experienced
that era as well and I appreciated the opportunity to
go back with her to revisit. The story covered a lot -
love, war, drugs, sex, racial questioning, friendship,
self-growth...all woven into an intricate yet plausible
plot. I found the bookcompelling and well worth the
time spent reading it."
Speak Up Talk Radio
"Sad ending. I had to cry. GREAT book...!! Really
great book.... I'm a fan."
NM, Colorado Springs CO
"I was intrigued that you incorporated the race issue
at the time and I thought that was well captured...I
enjoyed it very much."
RS, Seaside CA
"Eden is a modern-day Macbeth, only even more
poignant! Listening to the voice of evil, even from a
loved one, instead of one's own 'small voice,' and how
this leads to tragedy of deceptions and insecurities is
a universal, classic theme, but told in Eden in a way
that engulfs one's very soul. Wow!"
GH, Glacier WA